100 Hours / Curtain Twitcher

$1,168

Jo Evans, AKA 100 Hours, creates quiet abstracts with natural materials with her fabric collection as her paint box. She makes soft, paintless paintings using beautiful textiles and papers such as linen, silk and hemp, manipulating but also relinquishing control to the warp and weft. At first glance the work is minimal, almost flat but on closer inspection oozing texture and tone.

She is drawn to methods of creation rooted in traditional techniques such as hand stitching and woodworking, which is then married to a love of simple modern aesthetics, influenced by styles of the late nineteenth to the mid twentieth centuries.

With an eye on sustainability, Jo uses only natural materials, from linen and silk to oak and beeswax. All of her work is hand crafted using only hand tools and almost always improvised. Textiles are secured with tiny imperceptible stitches and frames are sanded, joined and waxed with very few traditional tools.

Artwork Dimensions: 13" x 8.25"

Frame Dimensions: 13.75" x 9"

Original; 1 of 1.

The work comes with a Certificate of Authenticity signed by the Founder of Tacit.

This work comes float mounted on cotton conservation board and custom framed in a solid oak frame.

Hand-stitched linen, cotton, silk & denak

 

Visit our Shipping page for more information. We offer free shipping for the majority of artworks within the U.S. and Canada — exceptions apply.

Exact shipping times may vary based on location. 

Your artwork is packaged with care in protective supplies to ensure a safe and sound delivery.

100 Hours / Curtain Twitcher
100 Hours / Curtain Twitcher
$1,168

Jo Evans

With her fabric collection as her paint box and an eye on sustainability Jo Evans, AKA 100 Hours, creates abstract art with natural materials. She is drawn to methods of creation rooted in traditional techniques such as hand stitching, which is then married to a love of simple modern aesthetics, influenced by styles of the late nineteenth to the mid twentieth centuries.

At first glance the work is minimal, almost flat but on closer inspection oozes texture and tone. Her work is hand stitched and almost always improvised and her frames meticulously crafted by hand, to conservation and museum standards.

We look good together —

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